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Pirasti Trio or Quartet

Stanford piano trio no 2 in G minor, op 73

NICHOLAS MILLER was born in Hertfordshire and began learning the violin at the age of eight.  Whilst still at school he performed regularly at major London venues and broadcast on BBC Radio 3 in their ‘Young Music Makers’ series. Following a period of study with Felix Andrievsky he continued his studies at the Royal Academy of Music with Carmel Kaine, where he won numerous prizes for both solo and chamber music.  He was invited to perform the Max Bruch concerto with the Academy Orchestra and was also awarded the Recital Diploma.

During this period he won an English Speaking Union Scholarship to the Yale University Summer School in Connecticut, USA.  The following year, with awards from the Countess of Munster Trust, Martin Fund and the Royal Society of Arts, Nicholas commenced two years study at the Juilliard School, New York with the legendary Dorothy DeLay.
Nicholas has appeared throughout Britain, Europe and the United States including performances at the Purcell Room, Wigmore Hall, St. John’s Smiths Square, London and Alice Tully Hall, New York. He has broadcast on Danish, Spanish, Dutch and American radio as well as live on BBC Radio 3 from the Bath International Music Festival.

Prior to his appointment in 1990 as a professor at the Royal Academy of Music he taught at the Yehudi Menuhin School. Menuhin said of his teaching “I have admired the results you have obtained as well as the quality of playing which you have inspired.”  Nicholas has been recently made a Fellow of the Royal Academy of Music.

ALISON WELLS teaches cello at the Royal Conservatoire of Scotland and is a regular faculty member at the Green Mountain Chamber Music Festival in the USA.  Her career as a chamber musician has taken her throughout Europe, North America and Asia, performing at venues including the Wigmore Hall and Purcell Room and New York’s 92nd Street Y and Merkin Hall.  She was featured in a Channel 4 documentary on the Chamber Music of Penderecki, performing his 2nd string quartet and working with the composer.
Alison is a graduate of Cambridge University and the Royal Academy of Music, studying with Ralph Kirshbaum and David Strange.  She holds a doctorate from Yale University, where she studied with Aldo Parisot as a Harkness Fellow.  Additional awards enabled her to undertake further studies at Banff, Prussia Cove and the International Menuhin Academy in Gstaad, Switzerland.  In 1988 she joined the City of Birmingham Symphony Orchestra, under Simon Rattle, and became an Associate of the Royal Academy of Music.  The following year she gave her London recital debut at the South Bank, sponsored by the Maisie Lewis Young Artists’ Trust.  Alison is a former faculty member of the Peabody Conservatory and the Cleveland Institute of Music in the USA, and Trinity College of Music and the Purcell School in London.  She has served on the faculties of the Dartington and Aberystwyth festivals in Britain, and ENCORE School for Strings, Madeline Island Festival, ARIA and the Heifetz Institute in the US.  In 2001 she became the 1st British string player to be licensed as a Body Mapping Educator.

Pianist and composer JEFFREY SHARKEY became Principal of the Royal Conservatoire of Scotland in September 2014, leading Scotland’s national conservatoire of dance, drama, music, production and screen.  In addition to his duties as principal, he teaches chamber music at the conservatoire and maintains his performance collaborations with both teachers and with students.  He became a British citizen in 1993 and his career spans work in both the UK and the USA.
Jeffrey lived in the United Kingdom for 13 years, serving as Director of Music at the Purcell School in London and head of academic music at Wells Cathedral School where he started the school’s composition department.  He maintained his performing profile while in the United States, coaching chamber music as a faculty member and in master classes and summer festivals throughout the country.  He performed with the Baltimore Symphony and collaborated with members of the Cleveland, Orion, and Cavani Quartets.  Jeffrey Sharkey is a graduate of the Manhattan School of Music where he was the conservatory’s first double major in piano and composition.  He earned a Master of Music degree in composition from Yale University and an MPhil from the University of Cambridge.  His teachers have included pianists John Browning, Boris Berman, Constance Keene and Peter Frankl and composers Aaron Copland, Jacob Druckman, Earle Brown, John Corigliano and Robin Holloway.
Jeffrey was made a Fellow of the Royal Society of Edinburgh in 2022.

The Pirasti Trio collaborates regularly with other instrumentalists to include piano quartets and quintets by Mozart, Schumann and Brahms, Stanford and Fauré.

The Pirasti Trio will also appear in quartet format with violist Sophie Renshaw, and in quintet format with Sophie and a guest violinist.  Their repertoire will include Brahms, Schumann, Dvořák and Fauré.

Throughout her viola playing career, Sophie Renshaw has sought to develop both sides of her musicianship as interpreter and innovator. Her 38 years of professional playing began as violist in the Orford String Quartet, in residence at the University of Toronto. She later took up the Principal Viola position in the Scottish Chamber Orchestra and has performed as a chamber musician at numerous festivals, including the International Festivals of Gstaad, Kuhmo, ISM Prussia Cove, London Proms and Carnegie Hall recital series.

Her orchestral and ensemble work has spanned those orchestras that use elements of Historically Informed Performance Practice such as Orchestre Romantique et Revolutionaire and Orchestra of the Age of Enlightenment to the modern orchestra – BBC National Orchestra of Wales and Royal London Philharmonic. She has been guest Principal Viola with English National Opera, Glyndebourne and Holland Park Opera and many of the UK’s leading chamber orchestras including Britten Sinfonia, Orchestra of St Martin in the Fields and English Chamber Orchestra.

She co-founded the Blue Rider Ensemble, an instrumental-theatre group that set out to extend the expressive and dramatic range for instrumentalists in performance. Sophie has also participated in numerous projects by Ensemble Modern and London Sinfonietta, toured Japan with Ruichi Sakamoto’s opera “Life” and played live on stage to accompany the Shobana Jeyasingh Dance Company.

In 2019 Sophie created arrangements for Trio Mythos (with violinist Lucy Russell and cellist Ruth Phillips)  to accompany original songs by Northumbrian singer-songwriter duo Brothers Gillespie and Provencal polyphonic vocal trio Tant Que Li Siam which was recorded for CD.

Performances

7.30pm, Monday 26 October 2026:  Aberdeen Chamber Music (Pirasti Trio with violist Sophie Renshaw)

7.30pm, Tuesday 8 December 2026:  Cockermouth Music Society (Pirasti Trio with violist Sophie Renshaw)

Sunday 25 April 2027:   Gatehouse Music Society (Pirasti Trio with violist Sophie Renshaw)

7.30pm, Friday 24 April 2026:  Stranraer Music for All

1pm, Wednesday 21 January 2026:  Westbourne Music, Glasgow Art Club

1pm, Friday 29 November 2024, Royal Conservatoire of Scotland

7.30pm, Saturday 2 November 2024, Ayr Music Club

1 – 2pm, Saturday 25 May 2024, Spire Concert Series, Glasgow

7.30pm, Saturday 13 April 2024, Keswick Music Society

Cantilena Festival Duo

     Allan Neave studied guitar at the RSAMD and the RNCM. Since then he has been performing worldwide.
He is a regular guest at many of the world’s leading musical events and has worked with many influential musicians including Nikita Koshkin, Edward McGuire, Hans Werner Henze, Gordon McPherson and Stephen Dodgson.
To date, career highlights have included recording Gordon McPherson’s concerto Born of Funk and The Fear of Failing with new music group, Psappha; performing Scottish Guitar Music in Peru, a tour of Australia with virtuoso flautist Alison Mitchell and a further tour of the Far East with Tetra Guitar quartet.
Further highlights include performing Rodrigo’s Concierto de Aranjuez with the Royal Scottish National Orchestra (RSNO) in their prom season and recording the soundtrack for a film documentary about the great Scottish painter, John Bellany.
Allan has been Artistic Director of the Dundee International Guitar Festival since its inception and received the Scotland on Sunday Glenfiddich ® Spirit of Scotland Award for Music. These awards were set up to recognise individuals who lead the way in Scottish culture.
Professor Allan Neave is Senior Lecturer in Strings and Head of Guitar Studies at the RCS, Glasgow.

     Angus Ramsay initially studied the violin with Leonard Friedman, before moving to the Bernese Conservatoire in Switzerland, where he was a pupil of Max Rostal for five years. In 1975 Angus was appointed principal second violin of the Würtemberg Chamber Orchestra: the following year he was made associate leader of the prestigious Southwest German Chamber Orchestra, a post he held for nine years. Since 1985 he has been principal second violin of the Orchestra of Scottish Opera, before retiring in 2022. In 1991, Angus founded the Glasgow Viennese Strings, subsequently touring all over Scotland. He is one of the Artistic Directors of the “Cantilena Festival – Islay” and teaches extensively throughout Scotland including at the Royal Conservatoire of Scotland.

Cantilena Festival Trio, performing Paganini Trio for violin/cello/guitar at the Royal Conservatoire of Scotland, 31/01/25

In addition to the Cantilena Festival Trio with cellist Martin Storey (as featured in video clips), Angus and Allan also offer a Viennese programme “The Blue Danube” for mixed ensemble.

Performances:

3pm, Sunday 15 March 2026:  Dunfermline

Les Trois Blondes!

Award winning accordion brothers John and George Burns are joined on the drums by French speaker and compère Fergus Wood.  John is the current Musette Champion of Scotland and former All-Scotland Accordion Champion.  They present a very varied programme which includes foxtrots, tangos, mazurkas and polkas, in addition to waltzes.
Les Trois Blondes are the only band in Scotland specialising in Bal Musette, the French café music of Paris. There is a very strong tradition with Scottish accordionists of playing this style of music which is mostly in waltz tempo.
Much of the music played by the band features numbers made famous by Maurice Chevalier and Edith Piaf, the little sparrow, and several items in their programme of over 80 compositions are by the two Burns brothers. Musette goes well with French wines and French cooking and recently the band played at a very romantic event on 14 February in Café Santé, one of Perth’s leading French restaurants.
When not playing musette, the band’s mainline work is ceilidh music, which has taken them all round the world.
  Trois Blondes is a double entendre in the context of the band –  it means “Three Pints of Lager,” please!
The band is available to play at any occasion or event such as a Parisian night in Scotland where a flavour of Bal Musette accordion music would enhance the event. they’re also very popular as a ceilidh band at weddings, and are also available as a duo, Pas de Deux.

Playlist includes:
Retour Des Hirondelles
Valse Des Marin Pêcheurs
La Foule (as sung by Edith Piaf )
Lyon (A Catarsi)
Dantesque (Morbidelli)  polka
Domino (Louis Ferrari)
Triste Sourire (Frans Van Capelle)
C’ est si bon (Henrei Betti)  foxtrot
Océane (Musichini and Poudroux)
Reine De Musette (Peyronin)
Mario Di Napoli (Roberto Miles and Jean Garcia)
Hymne A L’Amour  and La Vie En Rose (both made famous by Edith Piaf)
Concinnous Musette (John Burns) concinnous means elegant and harmonious!
Mellifluence (George Burns)
Moonlight On The Tay (John Huband)
Villa Cracieuse (Arthur Spink)
L’Ame Des Poètes (Charles Trenet)
Requerdos De La Coruna (Addie Harper)  Spanish waltz
Invitation Au Musette
Flambée Montalbanaise (Gus Viseur)
La Dent Blanche (George and John Burns) a mountain in the Alps
Louise (George Burns)
Style Musette (André Verchuren)
Pearl Musette (George and John Burns)
Polka Des As
Amis Du Musette (André Verchuren)
Nuages (Django Reinhardt)  foxtrot
Coeur Vagabond (Joseph Colombo)
Poésie Musette (Eric Bouvelle and Maurice Larcange)
Marissa’s Waltz (George Burns)
Jeannette (Gus Viseur)
Mademoiselle De Paris (Paul Durand)
Corinne (Charles Camilleri)
Ma Chérie (John Huband)
Ballade De Rabouine (Joss Baselli and Gus Viseur)
Germaine (Joseph Colombo)
Java Des As
Le Pingouin Acrobate (André Astier)
Le Gamin De Paris (Adrien Mares)
Valse Musette (Albert Vossen)

Performances

7.30pm, Friday 26 June 2026: Strathearn Music Society, Crieff

7.30pm, Saturday 22 March 2025:  Ayr Music Club

3pm, Sunday 16 March 2025:  Crail Community Hall

3pm, Sunday 17 March 2024: Crail Community Hall

3pm,  Wednesday 17 August, 2022: Rannoch Old Church, Kinloch Rannoch

7.30pm, Friday 3 December 2021: Bute Arts Society, Rothesay

2.30pm, Sunday 21 November 2021: Hawick Music Club, at Hawick Rugby Club

7.30pm, Saturday 2 October 2021: Ardrishaig Public Hall, Mid Argyll Arts Association

7.30pm, Saturday 28 September 2019:  Balerno Music Festival

7.30pm, Saturday 13  July 2019: Arran

3.30pm, Sunday 23 June 2019:  St Conan’s Kirk, Loch Awe

1pm, Saturday 6 April 2019, Spire concert series

3pm, Sunday 23 September 2018, Dunoon Burgh Hall

Sunday 13 May 2018, Doune

2.30pm, Wednesday 13 September 2017, Tahiti Trot, Ross Priory

A Night at the Opera

In 2016, Garnethill Synagogue asked us to provide a Candlelit Classics evening to help them raise funds for the upkeep of their truly unique building in Glasgow’s city centre, and A Night at the Opera was born.

We arrive with a full complement of professional musicians including four singers, five strings, four woodwind, a horn player, a harpist, a conductor/pianist and a compère and a wonderful evening is in store.

The programme of favourite operatic melodies include pieces to delight both the musical connoisseur and the less operatically minded, and homage is paid to Bizet, Delibes, Donizetti, Mozart, Offenbach, Puccini, Saint-Saens, J Strauss and Verdi with an acknowledgement to Lehar and Gilbert and Sullivan. Each item is introduced with polish and panache, explaining which character was singing, how he/she was feeling and why, and what he/she was expressing in the music. A surprise or two may also be in store!

Performances:

7.30pm, Wednesday 22 October 2025, St Andrew’s Hall, Crieff

7.30pm, Saturday 18 October 2025: Dollar Academy

7.30pm, Sunday 12 October 2025: Newton Stewart Cinema

7.30pm, Tuesday 29 October 2024, Lanark Memorial Hall

7.30pm, Friday 25 October 2024, MacArts, Galashiels

7.30pm, Thursday 24 October 2024, Northesk Church (Brunton) Musselburgh

7.30pm, Sunday 13 October 2024, Crail Community Hall

CANCELLED due to COVID,  Sunday  29 March 2020, Edinburgh Synagogue “An Evening of Opera Classics”

Sunday 19 May 2019, The Spire Concert series,  260 Bath Street, Glasgow G2 4JP

Sunday 31 March 2019, Edinburgh Synagogue

Sunday 25 March 2018, Garnethill Synagogue Act III “Opera with a Twist”

Sunday 18 March 2018, Edinburgh Synagogue

Saturday 26 August 2017, New Kilpatrick Church, 28 Kirk Place, Bearsden, G61 3RT

Saturday 24 June 2017, Royal Faculty of Procurators in Glasgow, at 12 Nelson Mandela Place, Glasgow

Sunday 26 March 2017, Garnethill Synagogue, “A Night at the Opera Act II”

Sunday 20 March 2016, Garnethill Synagogue, Candlelit Classics

Paul Chamberlain

Paul  is a highly accomplished player with appearances at international music festivals such as Baltica Harmonica in St. Petersburg – Russia, Sata-Häme Soi Accordion festival in Ikaalinen – Finland, the St Magnus Festival in Orkney and the world famous Edinburgh Fringe Festival, held annually in Scotland. He has also performed in France, Italy, Greece, Bahrain and the USA.

In 2011, Paul released his debut solo album entitled “Classical Accordion” featuring a mixture of transcriptions of works by J S Bach, Rameau, Moszkowski and Khachaturian, as well as original works by Alexander Nagayev and Franck Angelis.

He made his Bridgewater Hall debut with a solo recital as part of the long established Manchester Mid-Days concert series in 2013 and completed a major national tour of concerts in July 2014 to coincide with his CD release ‘Accordion Sensations’. The disc features a mixture of solo repertoire by Scarlatti, Zolotariev and Weber as well as and chamber works by Piazzolla for which Paul is joined on the recording by violinist Feargus Hetherington and the Maxwell String Quartet.

He has also performed with Ute Lemper and the Scottish Chamber Orhcestra, the Paragon Ensemble,  Scottish Opera Connect orchestra, and is a founder member of the Scottish Tango Ensemble.

Paul has been featured on BBC Radio 3’s ‘In Tune’ programme with Sean Rafferty, performing live in the studio, BBC Radio Scotland’s ‘Classics Unwrapped’ and California’s KDFC Classical Music Radio Station in San Francisco.

Paul formed a successful duo Chamberlain & Haywood with multi-instrumentalist Michael Haywood (violin, soprano saxophone, whistle & clarinet) in 2014 and they perform a wide range of world music.

He also established HotScotch Ceilidh Band, a trio comprising accordion, fiddle and drums who provide Scottish traditional music for weddings, and corporate events around the UK and abroad.

Following a successful heart transplant in January 2022, Paul is now returning to performing and looking forward to a busy schedule in 2023 and beyond.

Original Repertoire
Sonata No 1 – Alexander Nagayev (b. 1947)
Capriccio – Albin Repnikov (b. 1932)
Prophetic Dream – Viatcheslav Semionov (b.1946)
Romance – Franck Angelis (b.1962)
Rassypucha – Victor Gridin (1943-1997)
Sonata No 2 – Vladislav Zolataryev (1942-1975)
Amalgame – Frank Angelis (b. 1962)
Botany Play – Torbjorn Lundquist (1920-2000)
Sonatina Piccola – Torbjorn Lundquist (1920-2000)
De Profundis – Sofia Gubaidulina (b.1931)
In the Zoo – Niels Viggo Bentzon (1919-2000)
Russian Dance – Georgy Shenderyov (1937-1984)
Bulgarian Suite – Viacheslav Semionov (b.1946)

Transcriptions
Toccata – Aram Khachaturian (1903-1978)
Asturias – Isaac Albeniz (1860-1909)
Aria di Figaro – Gioachino Rossini (1792-1868)
Concertstuk – Carl Maria Von Weber (1786-1826)
Prelude Fugue & Variation – Cesar Franck (1822-1890)
Toccata & Fugue in D Minor : BWV 565 – J. S. Bach (1685-1750)
Organ Prelude & Fugue in D Minor : BWV 554 – J. S. Bach (1685-1750)
Prelude & Fugue No 2 in C Minor – J. S. Bach (1685-1750)
Sonatas – Domenico Scarlatti (1685-1757)
Pieces de Clavichord – Jean-Philippe Rameau (1683 –1764)
Scherzo-Tarantella – Henryk Wieniawski (1835-1880)
Spanish Dance No. 5 – Enrique Granados (1867-1916)
Spanish Caprice – Moritz Moszkowski (1884-1925)
Gothic Suite – Léon Boëllmann (1862-1897)

Chamber music
Histoire Du Tango – Astor Piazzolla (1921-1992)
(accordion & flute)

In Croce
– Sofia Gubaidulina (b.1931)
(accordion & cello)

Home From Home
– Gareth Williams
(cimbalom, violin, flute, cello, clarinet, accordion & percussion)

Five Tango Sensations
– Astor Piazzolla (1921-1992)
(accordion & string quartet)

Adagio and Rondo for Glass Harmonica K617
– W. A. Mozart (1756-1791)
(2 vln, vla, cello, accordion)

Bagatelles Op. 47
– Antonin Dvorak (1841-1904)
(accordion, 2 vln and cello)

Le Grand Tango
– Astor Piazzolla (1921-1992)
(accordion & violin)

Ave Maria
– Astor Piazzolla (1921-1992)
(flute & accordion)

Tango
– Steven Goss (b.1964)
(clarinet, accordion, vibraphone, marimba, suspended cymbal and double bass)

The Wind is spreading the Echo over the Glade
– Andrzej Krzanowski (1951-1990)
(accordion duo)

Pitt
– John Hails (b.1978)
(trumpet, cello, double bass, mezzo soprano, accordion, percussion)

Feasgar Beatha
– Ailig Hunter (b.1984)
(cello, double bass, accordion, vibraphone)

Concertos
Concerto in Bflat for Accordion – Nikolai Chaikin (1915 – 2000)

Performances

Monday 11 August 2025: Ross Priory (private event)

Wednesday 6 December 2023, Royal Faculty of Procurators in Glasgow

Sunday 3 September 2023, Melrose Music Society

Friday 25 August 2023, Classic Music Live! Falkirk

Saturday 10 June 2023, Spire concert series, Glasgow with Michael Haywood

Friday 2 June 2023, Ross Priory, with Michael Haywood

 

 

 

Ian Watt

Noted for his ‘exceptional range of timbre’ (BBC Music Magazine), Watt’s international prizes include 1st prize at the Heinsberg International Guitar Competition (2011), Germany, 1st prize at the Westphalian Guitar Spring Competition (2010), Germany, 2nd prize at the Parkening International Guitar Competition (2009), USA (often described as the world’s most prestigious) and 2nd prize at the Vienna ‘Homage to Karl Scheit’ International Competition, 2010. In addition to performing, he is a committed teacher who has given masterclasses throughout the world and is at present a lecturer at the Royal Conservatoire of Scotland.

Ian Watt currently lives in London with his wife, lutenist Kristiina Watt and son.

Milan and Albeniz

Sonata by Joaquin Turina

On Britten, Walton, McLeod, Wilson and Dowland (2013, Nimbus, NI 6226)

‘Watt’s exceptional range of timbre is especially apparent in John McLeod’s Fantasy on themes from Britten’s Gloriana, while the opening of [Britten’s] Nocturnal is sublime…a thoughtful and thoroughly enjoyable disc’ – BBC Music Magazine, October 2013.

‘…Watt is on outstanding form…a superb celebratory release’ – Classical Guitar Magazine’, December 2013

‘…he [Watt] sounds completely at home whatever century or style he is playing in. He is technically assured, thoughtful, unpretentious…his phrasings, colours and characterisations are a match for anyone.’ – Music Web International, 2013

‘…played with sensitivity and understanding…hauntingly performed…a strong, and superbly played, programme.’ – Albion Magazine, 2013

Prelude from Bach’s Suite in Emajor, BWV 1006a

Performances

Thursday 24 September 2026:  Hexham Abbey Festival

Wednesday 4 November 2026:  Laidlaw Centre, St Andrews University

8pm, Friday 6 November 2026:  Monymusk Church

2pm, Saturday 7 November 2026:  Music at Aden

3pm, Sunday 8 November 2026:   Melrose Music Society

7.30pm, Friday 22 January 2027:  Bute Arts Society

2.30pm,  Saturday 23 January 2027:  Mid Argyll Arts Association, Kilmory Council Chambers

tbc, 19/20 June 2027 Banchory Summer Solstice Party tbc

2.30pm, Monday 21 June 2027:  Ross Priory, Gartocharn (tickets available from daisy@classicalmusiciansscotland.com)

7.30pm, Saturday 21 February 2026:  Portesham

7.30pm, Sunday 25 January 2026:  Keswick Music Society

7.30pm, Saturday 6 September 2025: Ripon International Festival, St Nicholas’ Church, West Tanfield

7.30pm, Thursday 30 October 2025:  Crail Community Hall

7.30pm, Friday 31 October 2025:  Aberdeen Arts Centre

2pm, Saturday 1 November 2025:  Music at Aden

12:45 – 13:30 recital, pre-performance talk at 12 noon, Thursday 6 February 2025:  Cowdray Hall, Aberdeen

11:30am – 12:30pm, Friday 28 June 2024, East Neuk Festival

Saturday 9 March 2024, St Cyprian’s, Lenzie

Sunday 6 August 2023, Melrose Music Society

Saturday 3 December 2022, Wakefield

Saturday 26 November 2022, Portesham

Sunday 30 October 2022, Music at Aden

Wednesday 30 June 2021, Junction 50, Thirsk

Opera Alba

     Soprano Catriona Clark studied at the Royal College of Music and Royal Conservatoire of Scotland Opera School, where she won all the major singing prizes. Career highlights include Adèle in Die Fledermaus alongside Dame Kiri Te Kanawa, José Carreras and Bryn Terfel, at the Royal Albert Hall and performances for Opera North, London Festival Opera, The Royal Opera House, Covent Garden (Linbury Theatre) and at festivals including Les Azuriales in Cap Ferrat, Festival de Vézère and the Edinburgh International Festival.Catriona has toured Europe with Diva Opera, singing Marie (La Fille du Régiment), Musetta (La Bohème), Susanna (Le nozze di Figaro) and Euridice (Orphée aux enfers).  For Opera Bohemia, she has performed the roles of Violetta (La Traviata), Hanna Glawari (the Merry Widow), Cio-Cio-San (Madama Butterfly), Susanna (Le nozze di Figaro), Tatyana (Eugene Onegin) and Mimi (La Bohème).  Performances also include the world premier of Demimondaine by John Frederick Hudson and the title role in the British premier of Ethelinda by Mildred Jessup (née Bowes Lyon).
Catriona has performed extensively as an oratorio soloist, including performances of Verdi’s Requiem, Haydn’s Nelson Mass and Creation, Orff’s Carmina Burana, Mozart’s C minor Mass and Requiem, Bach’s Magnificat, Poulenc’s Gloria, Tippett’s Child of our Time and Handel’s Messiah (at the Usher Hall, Edinburgh).
A regular chorister with the freelance chorus of Scottish Opera, Catriona has also  performed the role of Madame Mao (Nixon in China Unwrapped) and covered the roles of Adina (L’elisir d’amore), Fiordiligi (Cosi fan tutte) Gianetta (The Gondoliers), Princess Zara (Utopia) and Musetta (La Bohème).

Mezzo soprano Sarah Shorter trained in opera at the Royal Academy of Music in London, before  moving to Glasgow.  A versatile singer, she excels in operatic, barbershop and classical repertoire.  She appears regularly as a freelance chorister with Scottish Opera.  On the concert platform she has performed as Daniel in the Thomas Coats Memorial Choral Society’s performance of Handel’s Belshazzar in Paisley Abbey, as the alto soloist in Greenock Philharmonic Choir’s performance of the Mozart Requiem, and in Helensburgh Oratorio Choir’s performance of Breathing Place in Glasgow City Halls. She sings frequently with the Dunedin Consort, appearing in their Christmas tour of Messiah and on their recording of Mozart’s Mass in C Minor.  As the Musical Director of The Close Shave Chorus, she delights in bringing close harmony to the unsuspecting public all over Scotland.  She is a founder member of The All Sorts ladies’ a cappella quartet and performs across Scotland with performances of Celebrating Jerome Kern, alongside tenor Christian Schneeberger and pianist Derek Clark.

Tenor Christian Schneeberger has appeared throughout the UK as a recitalist, oratorio soloist and opera singer.  Born in Glasgow, he was a prizewinning graduate of the Royal Conservatoire of Scotland where he graduated with BMus (Hons) in Vocal Performance in 2013, before completing his Masters of Music in Performance.
As a professional performer, Christian has sung the tenor solo in oratorios including Mozart’s Requiem, Mozart’s Mass in C major, Handel’s Messiah, Orff’s Carmina Burana, Haydn’s Nelson Mass, Bach’s Magnificat, Stainer’s Crucifixion, Britten’s Rejoice in the Lamb, Bach’s St John Passion and Vaughan Williams’ Serenade to Music and is also a regular guest artist at charity functions.
His opera career has grown from being a founding member of À La Canto, touring with Opera Bohemia in La Traviata, Eugene Onegin and The Pearl Fishers to becoming a regular member of Scottish Opera’s freelance chorus.
Between performances, Christian is a vocal coach at Hutchesons’ Grammar School and St Andrews University. He also appears regularly across Scotland with male vocal quartet, Scozzesi, and in the Celebrating…. series of concerts featuring Irving Berlin, George Gershwin and Jerome Kern.

Baritone Steven Faughey was born in the North East of England and studied at the Royal Scottish Academy of Music and Drama with Bill McCue and Jeff Nielson Taylor. He has sung with D’Oyly Carte Opera Company and Garsington Festival Opera, and was a member of the full-time chorus of Scottish Opera where he is now employed as a freelance chorister.  He also works regularly with Scottish Opera’s Education Department. His operatic roles include Antonio/ The Marriage of Figaro, Papageno /The Magic Flute, Mustafa /Italian Girl in Algiers, Enrico / Lucia di Lammermoor, Falke /Die Fledermaus, Ford /Falstaff and Talbot /Maria Stuarda.  For Scottish Opera, he has performed and covered many roles including Second Priest /The Magic Flute, Alcindoro /Tosca, the Official Registrar /Madama Butterfly and Ambrogio /Il Barbiere de Siviglia.  He performed the role of Jake Wallace in a concert performance of La Fanciulla del West in the Usher Hall as part of Edinburgh Festival.  Steven’s solo oratorio work includes Handel’s Messiah, Judas Maccabeus, Israel in Egypt, Fauré’s Requiem, Haydn’s Creation,  Stainer’s Crucifixion, Mozart’s Requiem, Puccini’s Messa di Gloria and Carmina Burana.  Steven also performs with the Antonine Trio, and is a founder member of Opera Alba. He also plays and teaches flute, clarinet, recorder and saxophone and has recently becoming the musical director for the Milngavie Choir.

 Derek Clark was born in Glasgow and is an Honours graduate of the RSAMD and the University of Durham. He also studied at the London Opera Centre before joining Welsh National Opera as a repetiteur in 1977, making his professional conducting debut in 1981 with Handel’s Tamerlano.
He was Head of Music at Scottish Opera from 1997 before retiring in three years ago, and has conducted more than 30 operas for the company, including major works by Handel and Mozart, Rossini, Verdi, Tchaikovsky, Massenet, Puccini, and Gilbert & Sullivan.
He provided re-orchestrations for recent touring productions of Hansel and Gretel, Cinderella, Die Fledermaus, Carmen, Rodelinda and The Elixir of Love and has devised more than twenty-five Opera Highlight/Essential Scottish Opera programmes. His re-orchestration of ‘Hansel and Gretel’ has been used by other opera companies, including ENO and the Royal Opera House, Covent Garden, and by colleges, both in the UK and in America.
He has also specialised in contemporary music, as conductor of all three seasons of Scottish Opera’s highly successful Five:15 project. He conducted the Scottish premieres of James MacMillan’s Clemency, Philip Glass’ The Trial and the world premieres of Craig Armstrong’s ‘The Lady from the Sea’ and Rory Boyle’s award-winning opera Kaspar Hauser: Child of Europe.
He has been the regular accompanist for Opera Alba for more than ten years, and also works as a Guest Coach and Examiner at the major conservatoires and colleges and at the National Opera Studio. He has also recently worked as assistant conductor for Melbourne Opera, Australia, and at Garsington. Though most of his professional life has been spent in the opera house, he has also found time to compose and arrange music for a wide variety of people and circumstances – his music has been performed in venues ranging from village halls to Westminster Abbey.
He was appointed Musical Director of Dundee Choral Union in 2011, and since 2014 has been Director of Music at Helensburgh Parish Church, where his annual ‘Come and Sing’ Christmas concerts, and concerto performances have raised many thousands of pounds for charities such as MacMillan Cancer Care and Christian Aid.
In May/June 2026, he and tenor Jamie MacDougall perform Lauder for three weeks in New York, courtesy of Scottish Opera and Loch Doune Productions.

Opera Alba: Background

Opera Alba was formed at the end of 2004 with the aim of bringing well sung, highly accessible opera to venues around Scotland in an entertaining and enjoyable manner. The highlight of their concerts is without doubt, the lack of “stuffiness” often associated with opera. However, that is not to say that their repertoire is not delivered with poise, panache, and eloquence!

Its founding members – Daisy Henderson/soprano, Jenny Wilson Best/soprano, John Carlo Bellotti/tenor and Steven Faughey/baritone, were very lucky to have Derek Clark as their regular accompanist, when he could spare time from his duties as Head of Music at Scottish Opera.

In addition to freelance opera work, members of Opera Alba also perform as soloists and with other ensembles at various events in and around Scotland. They have a wide experience of oratorio and concert work between them, as well as being asked to sing at weddings. Opera Alba also performs as Coro Alba, in a larger group of 8 – 20 professional singers with accompanist.

Their repertoire is wide and varied: operatic arias, duets, trios and quartets by Verdi, Puccini, Mozart, Donizetti, Offenbach, Bizet, Dvorak, etc with a lighter programme of operetta, Gilbert and Sullivan, songs from the shows, four-part Scottish songs arranged by Derek, and comedy numbers. A sample programme might include the Brindisi from Verdi’s La Traviata, the Quartet from Beethoven’s Fidelio, ‘Soave sia il vento’ from Mozart’s Cosi fan Tutte, the ‘Flower Duet’ from Lakmé by Delibes, the ‘Song to the Moon’ from Dvorak’s Rusalka, Vissi d’art from Puccini’s Tosca, Lehar’s Merry Widow Waltz, some Gilbert and Sullivan, a medley from My Fair Lady or The King and I, A Word on my Ear’ by Flanders and Swann and many, many more.

 

Opera Alba has performed across Scotland for Aros Centre (Skye), Ayr Music Club, Beith Arts Guild, Brunton Theatre, Cally House (Blairgowrie), Cathcart, Cramond Kirk, Cromarty Arts Trust, Dumfries Theatre Royal, Dundee Repertory Theatre, Dunfermline Arts Guild, Edinburgh Festival Fringe, Friends of Scottish Opera (Perth), Gatehouse of Fleet Music Society, Glasgow Hilton,  Hawick Music Club, His Majesty’s at the Hilton (Aberdeen), Ingliston Country Club in Bishopton, Inverness Chamber Music, Linlithgow Arts Guild, Lockerbie Music Society, Moffat Music Society, Mugdock (Milngavie), Mull Theatre, Music in Lanark,  Music Nairn, Newton Stewart and District Music Club, Paisley Arts Centre, Paisley Town Hall, Pitlochry Festival Theatre, Ross Priory (Gartocharn), Solsgirth House (Dollar), Stirling Tolbooth, Stranraer Music for All, Strathdee Music Club, Tarbert on Harris, Tasting Rooms (Dundee), Thurso Live Music Association, Torphichen Summer Nights and Williamwood Golf Club.

Performances:

7.30pm, Friday 23 October 2026:  Biggar Little Festival, Corn Exchange, Biggar

Friday 8 September 2023: Stranraer Music for all! Ryan Centre

December 2022, carol singing: Barclays Buildings, Glasgow

Saturday 26 November 2022:  Crail Community Hall

Thursday 24 November 2022:  Ardgour Memorial Hall

Wednesday 23 November 2022:  Universal Hall, Findhorn

Tuesday 22 November 2022:  Lochinver Village Hall

Derek Clark

He was Head of Music at Scottish Opera from 1997 until March 2023, and conducted more than 25 operas for the company, including major works by Handel and Mozart, Rossini, Verdi, Tchaikovsky, Massenet, Puccini, and Gilbert & Sullivan – his most recent conducting engagement being the outstanding production of “Il Trittico” at the Edinburgh Festival Theatre.

He provided re-orchestrations for recent touring productions of Hansel and Gretel, Cinderella, Die Fledermaus, Carmen, Rodelinda and The Elixir of Love and devised twenty-two Opera Highlight/Essential Scottish Opera programmes. His re-orchestration of ‘Hansel and Gretel’ has also been used by other companies and colleges, both in the UK and in America.

He has also specialised in contemporary music, as conductor of all three seasons of Scottish Opera’s highly successful Five:15 project. He conducted the Scottish premieres of James MacMillan’s Clemency, Philip Glass’ The Trial and the world premieres of Craig Armstrong’s ‘The Lady from the Sea’ and Rory Boyle’s Kaspar Hauser: Child of Europe.

He works as an accompanist, appearing regularly throughout the country, and is a regular Guest Coach at the major conservatoires and colleges and at the National Opera Studio. Though most of his professional life has been spent in the opera house, he has also found time to compose and arrange music for a wide variety of people and circumstances.

He was appointed Musical Director of Dundee Choral Union in 2011, and since 2014 has been Director of Music at Helensburgh Parish Church.

After retiring from Scottish Opera in March 2023, his diary is quickly filling up with new and exciting projects, including concerts with The Antonine Trio, Opera Alba, and “Celebrating Irving Berlin”.

Da Vinci Piano Trio

Turning by James Black, premier performance, recorded 30 June 2024

Anthony Moffat, violin

Hailing from the Borders, Anthony Moffat was trained at the Royal Academy of Music, London by Armenian Soloist and Orchestra Leader, Manoug Parikian. He gained the highest award for violin on his graduation in 1987 winning the Marjorie Hayward Prize. His passion for Chamber music was encouraged and nurtured for many years by the members of the Amadeus Quartet but it is as devotee of the Piano Trio that he is best known outwith the orchestra.He was a founder member of both the Duke String Quartet and the Borante Piano Trio.  As member of the Da Vinci Piano Trio he has toured the breadth of the country and broadcast on BBC Radio3.

His career as Orchestra Leader began as Co-leader of the Halle Orchestra until taking the post of Leader of the Orchestra of Scottish Opera in 2000. He has appeared as Guest Leader with BBC Concert Orchestra, BBC Scottish Symphony Orchestra, Royal Scottish National Orchestra, Royal Liverpool Philharmonic Orchestra, City of Birmingham Symphony Orchestra, the Bournemouth Symphony Orchestra, Bergen Philharmonic Orchestra and the National Symphony Orchestra of Ireland. He plays on a fine violin by C.G. Testore of Milan ca. 1705

He has been leader of the Orchestra of Scottish Opera since 2001.

Rudi de Groote, cello

Rudi de Groote grew up in South Africa and studied at the Royal College of Music in London and has undertaken masterclasses with Torlief Thedeen, David Geringas, Franz Helmerson and Moray Welsh. He is currently principal cello with the BBC Scottish Symphony Orchestra. He started his career as principal cello with this orchestra and then went on to hold the principal position in the Orchestra of Scottish Opera, the Irish Chamber Orchestra, the Orchestra of English National Opera in London, and the Bergen Philharmonic Orchestra in Norway, before returning to Scotland to rejoin the BBCSSO.

Rudi has performed as soloist under many orchestras including the Bergen Philharmonic Orchestra , the Irish Chamber Orchestra and the BBC Scottish Symphony Orchestra and under the baton of Edward Gardner, Ilan Volkov, Francesco Corti, Martin Brabbins, Jerzy Maksimiuk and Garry Walker. He is frequently invited to be guest principal cello with the Mahler Chamber Orchestra, the London Symphony Orchestra, the Liverpool Philharmonic, the City of Birmingham
Symphony Orchestra, the Orchestra of Opera North, the Scottish Chamber Orchestra, the Royal Scottish National Orchestra, the Oslo Philharmonic, the BBC Symphony Orchestra, the Sinfonia of London and the John Wilson Orchestra.

He has frequently performed as cellist with the Chilingirian String quartet, and has performed with Marcia Crayford, Robert Cohen, Steven Osborne, Isabelle van Keulen, Jorg Widmann, Garfield Jackson and the Belcea string quartet. As a teacher, Rudi has been on the faculty at the Royal Conservatoire of Scotland, and has taught and coached chamber music at the Royal College of Music, the Guildhall School of Music and Drama, and the Grieg Academy in Norway.

He has broadcast live for BBC Radio 3, DR, Norwegian Radio and BBC Scotland and has performed in recital at the Edinburgh and Cheltenham International Festivals. He plays on a cello by Ferdinand Gagliano dated 1777.

He is delighted to have been invited to take over from Robert Irvine in the Da Vinci Piano Trio and looks forward to many exciting concerts ahead.

Liivi Arder, piano

Estonian pianist Liivi Arder studied at the Estonian Academy of Music and Theatre under Professor Toivo Nahkur and Nata-Ly Sakkos. In 2010 she completed an Advanced Accompaniment Course at the Royal Conservatoire of Scotland under Professor Fali Pavri and in 2013-2014 she studied at the RCS as a recipient of the Sam Hutchings Fellowship award.Liivi has taken part in several competitions including the Valentino Bucchi Competition in Rome (1st Prize ), 11th Pietro Argento Music Competition in Gioia del Colle (3rd prize in chamber music category), Con Brio competition (Estonian National Television prize ) and she was awarded the Hester Dickson accompanist prize.

Liivi has been a soloist with the Chamber Orchestra of Estonian Academy of Music and Theatre (EMTA) at the Aberdeen International Youth Festival, and was active with EMTA New Music Ensemble that took part in the Contemporary Music Festival in South Korea, Seoul.

As an accompanist Liivi has been working for music summer courses and many masterclasses at the RCS and also for Royal Scottish National Orchestra.  She has given chamber music concerts with Nikita Naumov, Ana Cordova Andres and Peter Wesley and has performed at the Edinburgh Fringe Festival and Glasgow West End Festival with the Daniel’s Beard ensemble. Along with Scottish mezzo-soprano Laura Margaret Smith she has performed at the Scottish Parliament House European Commission Estonian Presidency reception.

Currently Liivi is working as an accompanist and coach at the RCS String Department and Junior Conservatoire of Scotland.

The following was recorded at Music in the University, Glasgow University, 20 January 2022.

Arvo Pärt :  Mozart Adagio from 3:20 minutes

Brahms Piano Trio no 1 in B major from 28:40 minutes

Performances

3pm, Sunday 17 January 2027:  Biggar Music Club, Municipal Hall, Biggar

3pm, Sunday 21 February 2027:  Melrose Music Society tbc

7.30pm, Friday 16 April 2027:  Bute Arts Society

7.30pm, Friday 16 January 2026:  Music in West Kilbride (Robert Irvine standing in for Rudi de Groote)

7.30pm, Friday 9 May 2025, Bute Arts Society

3pm, Sunday 13 April 2025, Melrose Music Society

7.45pm, Friday 21 March 2025, Music in Lanark

7pm, Sunday 30 June 2024, The Barn, Banchory

7.30pm, Saturday 29 June 2024, Universal Hall, Findhorn

7.30pm, Sunday 21 April 2024, Newton Stewart Cinema

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